Seattle audiences are most familiar with the musicians of the Seattle Symphony as a collective, coming together to perform beloved works the Benaroya Hall stage. On April 26, symphony fans got a chance to see their favorite local performers in a different light, as accomplished composers exploring a wealth of different musical styles and modes of expression.
Seattle Symphony musicians perform Ben Hausmann’s Oboe Quartet No. 2 (Photo: Seattle Symphony)
The concert, dubbed “New Expressions”, turned the spotlight over to individual musicians, showcasing three new compositions by members of the orchestra alongside striking works by composers Chinary Ung and Anna Clyne. This concert of world premieres was part of the symphony’s “Untitled” series, meant to draw new, youthful audiences to Benaroya Hall. Held in the sumptuous Grand Lobby, “Untitled” events create a casual setting for adventurous programs of 20th century and contemporary works.
Seth Krimsky’s Love Song combines an unusual palette of sounds, blending the rich coffee-like tones of the bassoon with sensual strings and echoing chimes. Beginning with solemn notes from two sets of long metal chimes, the principal bassoonist’s composition features a winding melodic line that curls upward like a wisp of smoke.